Commentary: ‘Tis the Season for Streaming Christmas Movies

Love in the Wild

“It’s Christmas Eve and we are going to go celebrate being young and being alive,” Miles (Jack Black) declares to Iris (Kate Winslet) in the delightful Christmas romantic comedy The Holiday (2006), which concerns two “unlucky in love” women, Iris and Amanda (Cameron Diaz). The two decide to nurse their broken hearts and bruised egos by respectively swapping their Cotswold cottage and LA mansion for the holidays. As the fates would have it, Kate and Amanda each find love and a new outlook on life during their Christmas swap. I love this sugar plum saga, which I have previously written about in these pages, because it reminds us that friendship, love, and new adventures are always available. We only need to open our eyes to the world around us and celebrate our blessings. 

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Commentary: The Best Christmas Movies Ever

Critic, schmitic. How can you pretend to be engaged in objective aesthetic appraisal when you’re talking about movies that you first watched decades ago in your childhood living room, while your late mother was trimming the tree and your long-dead dad was setting up the Nativity scene? The feeling that washes over you the moment the opening credits begin has relatively little to do with these movies’ actual merits, if any. Of course they get to you: They’re part of what shaped you; they’re artifacts of the long-vanished era in which you grew up; like Proust’s bite of madeleine, they trigger tsunamis of precious memory; like attending a midnight Mass on Christmas Eve or a Yuletide performance of the Messiah, watching them is a cherished ritual, carrying meaning through time and underscoring the irretrievable nature of the past even as they make the past feel, briefly, just a bit less irretrievable.

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Commentary: Christmas Movies Without the Hollywoke Scrooge

Christmas tree, TV playing The Grinch and stockings on chimney

Hollywoke may be spearheading the War on Christmas, but three cable channels are mounting a far more effective counteroffensive, running traditionalist Christmas movies 24/7. And one of them, Lifetime, is a surprising beachhead. While HBO Max is showcasing the insufferable Seth Rogan’s latest bomb, Santa, Inc. (angry elf girl wants to succeed white male Santa Claus), the once male-bashing Lifetime “for Women” now boasts such romantic “heteronormative” fare as My Sweet Holiday, A Sweet Christmas Romance, and A Christmas Village Romance. Lifetime has joined the Hallmark Channel and Hallmark Movies and Mysteries to reflect a realistic rather than fantastical vision of and for women, and their genuine desire for true love over a feminist-fueled man-light career pursuit.

Some Grinches criticize the films as bland, corny, and predictable. They’re certainly not on par with Yuletide classics by Ernst Lubitch (The Shop Around the Corner) or Leo McCarey (An Affair to Remember), and they do stress a secular more than spiritual Christmas magic. But normal viewers gleam from them values no longer found in the tiresomely “dark, edgy” mainstream series and feature films, such as beauty, sensitivity, warmth, uplift, and niceness.

Start with beauty. The movies are gorgeously photographed to resemble, yes, Hallmark cards. Many depict Robert Frostian villages and valleys in holiday winter, but even major cities like San Francisco in A Christmas Village Romance, Chicago in A Kiss Before Christmas, and New York in the majority appear as lovely metropoles instead of the crime-ridden progressive hellholes the Left has made of them.

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